Dungen

Pappy + Harriet's Presents

Dungen

Shadow Band

Sat, August 19, 2017

Doors: 7:00 pm / Show: 9:00 pm

$15.00

Tickets at the Door

This event is all ages

TICKETS AT THE DOOR!

Dungen - (Set time: 10:15 PM)
Dungen
Tickets are general admission and non-refundable

Camping?
http://pioneertowncorrals.biz/CampCorrals.html


INDOOR SHOW

No Dinner Reservations. First Come First Served.

A ticket to this show does not guarantee a seat. This is a non-seated show. Which means, there will not be chairs on the Dance Floor.


Set Times are Subject To Change

In between the release of Dungen’s most recent two albums (2010’s Skit I Allt and 2015’s Allas Sak), the beloved Stockholm quartet was asked to create an original score to Lotte Reiniger’s 1926 touchstone The Adventures of Prince Achmed, understood to be the oldest surviving full-length animated feature film. Inspired by the nature of the work and the characters portrayed within, the members of Dungen collaborated on themes to represent their take on the film’s narrative, and immersed themselves in the groundbreaking visual language of this landmark film.

Häxan (translation: “The Witch”) is the result of those works, Dungen’s first all-instrumental album, and a continuation of all the things we love about their music. Moody, evocative, stormy, and brimming with life, Häxan provides both a tacit summation of the Dungen journey up to today, and gives the beloved group a chance to stretch out like never before. Here, the psychedelic rock is more bombastic, the softer passages more exquisite, the tension in their musical interplay more dramatic, their intentions remarkably robust. Häxan allows Dungen to move deftly between styles in a more circuitous fashion than their previous works, allowing them to build a story of their own around the action and characters in the film – Prince Achmed, Peri Banu, Aladdin, the Sorcerer, and most of all, the Witch – that reaches beyond the source material, returning to the hooks and melodies that come earlier in the album.

More pronounced collaboration with Häxan’s producer, Mattias Glavå, set the tenor of the sessions, fostered the interstitial moments between tracks, providing a more seamless listening experience. Recorded, mixed, and edited by hand to tape entirely in the analog domain, Häxan was sequenced away from the linear narrative of the film. This process helped to create a path of its own, fully capturing the rawness and spontaneity present in the sessions, as well as a loose, abstract, and fragmented collage feel, evident in the dense and dissonant free-form rock-outs, haunting ambient passages, and gorgeously cinematic soundscapes present in the work. As a result, Häxan works as new, original music by Dungen, both with and without the presence of the film itself.

With Häxan, the indulgences taken by Dungen find new corners in their creative space. “Trollkarlen och fågeldräkten” approaches the excitement of early ‘60s post-bop in a way that the band has yet to reveal until now, with Gustav Ejstes’ attentive piano melody connecting to Mattias Gustavsson’s bass, as Reine Fiske stretches out atmospheric strains of feedback-laced guitar overtop, while drummer Johan Holmegard establishes a busy, polyrhythmic background with a light touch, almost exclusively focused on cowbell and cymbals. The breezy, groovy theme to Aladdin’s appearances is cut across a handful of Häxan’s runtime, extended to both compact, flute-led bursts of melody, and a more luxuriant synth-based variant. Ejstes applies church organ sternness and harmonic majesty to “Kalifen,” which melts from a stately, Procol Harum-esque introduction into ‘70s soul stabs across a coolly understated rhythmic backing. Elsewhere, “Andarnas Krig,” “Wak-Wak’s portar,” and the title track represent some of the heaviest music Dungen has made to date, recalling the similarly burnt-edged Middle Eastern themes that Agitation Free cut for Vertigo decades ago. “Achmed flyger” ties it all together, with Ejstes and Fiske performing dual piano and synth leads, as the drums and bass surge underneath, creating a driving and focused backing, just as the film’s action begins to take flight.

Most recently, Dungen performed Häxan alongside the film at Mexican Summer’s 2016 Marfa Myths festival, marking its American debut performance. Asked about the experience overall, Gustav says, “In this setting, the movie becomes a solo instrument of its own, and we are simply backing up what we see on the screen. In many ways, it was a liberation to share the focal point with an audience when you’re performing with this kind of accompaniment. It’s a refreshing change to be playing live, and not be the center of attention; it’s the movie instead.”
Shadow Band - (Set time: 9:00 PM)
Shadow Band make sounds that move like foggy dreams from fantastical lands. Their patient but powerful songs set in motion a series of refracting echoes that call forth images of medieval battles, spirits unseen by human eyes and the gentle, constant pulsing of the universe

The band formed organically around the songwriting of Mike Bruno, a quiet figure whose vibrant mental landscape is the center of the group’s orbit. Growing up in New Jersey, Bruno immersed himself in a self-made world of gloomy sonic alchemy, honing his songcraft as a solo act in New Brunswick’s small-but-dedicated freak scene. The early years saw Bruno attracting a rotating cast of area heads around his growing arsenal of songs and dubbing it Black Magic Family Band. The sprawling web of artists varied with every gig and recording session, but the roots of Shadow Band started here.

After moving to Philly, a few blurry years passed and key players of the Family Band solidified into a steadfast lineup. Drummer Matt Marchesano and multi-instrumental zoner Sean Yenchick had both played with Mike for years in various formations, as had bassist James Christy. Also in the mix full time was Jacob Brunner, who’d been a long time part of the Weyes Blood crew. The ensemble was rounded out by Michigan-to-Philly transplants Jules Nehring and Morgan Morel. As this core membership developed, the group continued playing on, joined sometimes by auxiliary players when the situation called for it, but now less frequently.

Earlier iterations of the project were only captured on grainy, hiss-heavy four track cassette recordings during all night rituals, leaving a trail of fuzzy, rough-hewn small scale releases. In the beginning stages of working on music for a proper album, the Shadow cohorts entered a studio for the first time to capture a higher-end rendering of their incantations. This quickly proved impossible, and after only a few days, both the band and the label agreed to reverse course.

Progress was made by moving backwards; Brunner, Nehring, and Morel began capturing the sounds of the band as they retreated into their lair. Recording at home over the course of many moons and seasons, Morel gathered the sounds and wove an outpouring of songs that would make up the Shadow Band’s debut album Wilderness of Love.

The result is a fully congealed and creative wave that crests somewhere within the gentle vibrations of the natural world, an ominous psychedelic dream state and the world’s highest game of D&D. Shadow Band sets forth on a journey into the next world, taking their songs of golden sunrise folk and death-knell blues on tour and always cultivating new sounds in their self-made and seemingly limitless world.
Venue Information:
Pappy & Harriet's
53688 Pioneertown Road
Pioneertown, CA, 92268
http://www.pappyandharriets.com